In addition to the "ofrendas", "catrinas", skulls, and other decorations along Francisco Santiago Borraz in Tlahuac, the facades of many of the houses are painted with murals, most of them with a Day of the Dead theme. We have been going there for several years, and while I recognized some of the street art from previous visits, other murals appeared to be new.
calaveras
papel picado
Saturday, November 7, 2026
Street Art for Day of the Dead
Monday, September 28, 2026
Two Brothers
In my last post, I wrote about street murals that had been defaced by graffiti vandals. I continued walking down Chapultepec Avenue, and I came to a junior high school called "Héroes de Chapultepec". Along the sidewalk, on the wall surrounding the school, there were mural paintings. Two of them, side by side, caught my attention. They appeared to be very new, and thankfully had not been touched by vandals. They honored two men, one a scientist, the other an artist, who shared the same last names... González Camarena. (In the Spanish-speaking world people carry two last names. The first one is the father's family name, and the second is the mother's family name.) I wondered if these two men, who become famous in two very different professions, were related. I did a bit of research later on Wikipedia, and, yes indeed, they were brothers.
Guillermo González Camarena was an electrical engineer who invented color television. (Those of us who are old enough remember that for many years, all television broadcasts were in black and white!) Although the technology has advanced from his invention, González Camarena's "field-sequential color television system" was used by CBS in its early color programming. So, we can thank a Mexican scientist for color television. Sadly, he died at the age of only 48 in a car crash.
Next to that mural is another which honors his brother Jorge. He was a significant member of the Mexican muralist movement of the 20th century. One of his early murals was considered immoral by some because it included male and female nude figures. As a response Jorge promoted the use of nudes in artwork. His work includes murals in the Palace of Fine Arts and the National Museum of Anthropology. I will have to make point of looking for them the next time I am in those buildings.
Sunday, September 27, 2026
I Hate Graffiti!
I have expressed a number of time how much I despise graffiti, and it seems as if is getting worse and worse. What especially infuriates me is that these vandals are defacing so much of the lovely street art that graces the city.
One case in point are the murals at Juárez Market on Avenida Chapultepec. The building was covered with murals... portraits of people that I assume are vendors at the market. I walked by there a few days ago, and I was disappointed to see that the low-life vandals have been at work here.
They even somehow climbed to the upper level of the paintings to leave their mark.
The lower level has mostly been painted over; I assume to cover up the graffiti. In several spots there are signs saying that the murals are going to be restored.
I'm glad to see that the market is taking action to restore the paintings. I just hope that the punks with their damn cans of spray paint stay away... but I am not optimistic.
Saturday, September 26, 2026
Still Life
The other exhibit at the San Carlos Museum was a display of still lifes ("Naturaleza muerta" in Spanish, or "Dead Nature"). However, while this exhibit included many traditional still lifes, it also pointed that many paintings contain objects, such as bouquets of flowers or table settings, that could stand alone as a still life.
For example this painting, "The Supper at Emmaus" by 17th century Spanish painter Francisco de Zurbarán, the artist portrays the meal on the table.
Friday, September 25, 2026
The Heroic Body
This past week I went to the San Carlos Museum to see a couple of special exhibits on display there. The first was called "The Heroic Body". It deals with the ancient Greek concept of the ideal human form... a mixture of athleticism, proportion and symmetry which was employed in their depiction of gods and heroes in their art. It also shows how neo-classical artists centuries later followed those classical ideals.
The core of the exhibit consists of a number of plaster copies of ancient sculptures. These copies were shipped from Europe to Mexico's foremost art school, the Academy of San Carlos, in the 18th century to be used as models for the students.
Manuel Vilar did this monumental bronze statue in 1851. It portrays Tlahuicole, a warrior of the Tlaxcalan tribe who was famed for his valor fighting against the Aztecs.
Tuesday, September 15, 2026
One Last Look at Rivera
Here is one last look at the artwork of Diego Rivera at the Dolores Olmedo Museum...









