My landscape painting of the Valley of Mexico is progressing. The painting is now two thirds complete, and all I have to do is the foreground.
The lake at the foot of the mountains is part of a system of shallow lakes which once covered much of the Valley of Mexico. I am not 100% sure, but I think the one in this picture would be Lake Chalco, and perhaps in the middle is the town of Chalco, which today is a part of the urban agglomeration of Mexico City. Perhaps someone would be able to confirm that for me. (Alejandro, are you reading this?)
CDMX
Wednesday, March 5, 2014
Sunday, March 2, 2014
Progress on the painting
I have now done about half of my painting. Today I completed the mountains in the background. The two snow-covered peaks are the volcanoes Iztaccíhuatl (to the left) and Popocatepetl (to the right), also known as "Popo" and "Izta". On clear days they are visible from Mexico City. "Popo" is the second highest mountain in Mexico, and "Izta" is the third highest. "Popo" is active and in recent years has been spewing smoke and ash from time to time. Scientists have been keeping a close eye on it.
The painting by José María Velasco that I am using as a model.
Saturday, March 1, 2014
Just Incredible!!
When I began my blog a few months ago, I would have never, ever expected what happened to me yesterday.
I was looking through the comments which had been added, and one of them was from a lady who lives only a few minutes away from me in a neighboring suburb.
Last November I wrote an entry about my visit to Othmarsingen, the little town in Switzerland where my great-grandmother was born. This lady came upon my blog when she was searching for pictures of Othmarsingen. She has done some research on her own family genealogy, and when she read my entry she was flabbergasted. I had written about my great-grandmother, Susan Marti, and how, when she was a little girl, the family had emigrated from Switzerland to find employment in the sandstone quarries of Berea, Ohio. The lady realized that her great-grandfather, Jacob Marti, was the brother of Susan!
In her comment, she gave me her e-mail address so that I could contact her. (For privacy, I have since deleted her comment). We have already exchanged e-mails. All the details of her family history match the research that I have done. We are definitely third cousins! I knew that Susan's siblings had children, and I often wondered if there were some cousins still living in the area. Well, thanks to my blog, I have found one. My new-found cousin even told me where our great-great grandparents lived when they arrived in Berea... a house that I have passed a thousand times without knowing its place in my family history.
I haven't done much work on my genealogy for a couple years, but I need to sort through my research. We plan on meeting sometime in March, and I'm sure that we will be exchanging a lot of information.
I was looking through the comments which had been added, and one of them was from a lady who lives only a few minutes away from me in a neighboring suburb.
Last November I wrote an entry about my visit to Othmarsingen, the little town in Switzerland where my great-grandmother was born. This lady came upon my blog when she was searching for pictures of Othmarsingen. She has done some research on her own family genealogy, and when she read my entry she was flabbergasted. I had written about my great-grandmother, Susan Marti, and how, when she was a little girl, the family had emigrated from Switzerland to find employment in the sandstone quarries of Berea, Ohio. The lady realized that her great-grandfather, Jacob Marti, was the brother of Susan!
In her comment, she gave me her e-mail address so that I could contact her. (For privacy, I have since deleted her comment). We have already exchanged e-mails. All the details of her family history match the research that I have done. We are definitely third cousins! I knew that Susan's siblings had children, and I often wondered if there were some cousins still living in the area. Well, thanks to my blog, I have found one. My new-found cousin even told me where our great-great grandparents lived when they arrived in Berea... a house that I have passed a thousand times without knowing its place in my family history.
I haven't done much work on my genealogy for a couple years, but I need to sort through my research. We plan on meeting sometime in March, and I'm sure that we will be exchanging a lot of information.
The church in Othmarsingen, Switerland
Friday, February 28, 2014
My painting so far
In my last post I mentioned that I was going to do a painting based on a landscape by the nineteenth century Mexican artist José María Velasco.
Well, I have started work on it, and I just finished the sky, which is perhaps the most difficult part of the painting.
Here is my work so far...
Well, I have started work on it, and I just finished the sky, which is perhaps the most difficult part of the painting.
Here is my work so far...
The canvas is 24 x 18 inches, and I, as always, I am using acrylic paints.
If you compare it with the original work by Velasco...
![]() |
| (image from the web) |
... you can see that I am not attempting to do an exact copy of his work. Also I know that my colors are different. Seeing as I am mildly colorblind, it would be very difficult for me to try to duplicate the colors. I suppose that my colorblindness is the reason why my colors tend to quite vivid.
Next step is to paint the mountains.
Wednesday, February 26, 2014
José María Velasco
I guess I am revealing my "old-fashioned" taste in art, but my favorite Mexican painter is not any of the internationally known muralists of the twentieth century, but a nineteenth century landscape painter by the name of José María Velasco. Velasco lived from 1840 until 1912, and was the most famous Mexican artist of his time.
![]() | |||
| (image from the web) |
Self portrait of Velasco
Velasco concentrated primarily in landscapes, particularly views of the Valley of Mexico (where Mexico City is located) and the two snow-capped volcanoes, Popocatépetl and Iztaccíhuatl, which loom over the valley.
![]() | ||||||||
| (images taken from the web) |
A few of his paintings of the Valley of Mexico
![]() | |
| (image taken from the web) |
His painting of the ruins of Teotihuacan gives an interesting glimpse of what the archaeological site looked like before restoration.
I have mentioned previously that landscape painting is one of my hobbies, and that each year I donate a painting to the annual charity auction of the local chapter of Los Amigos de las Américas. The auction is in early April, and it is time for me to get started on this year's painting. I have chosen this work by Velasco as my subject matter...
![]() | ||
| (image taken from the web) |
Although I do not pretend to have even a fraction of Velasco's talent, I hope that my painting turns out well and earns some money for my favorite charity. It will be entitled "The Valley of Mexico - Tribute to José María Velasco".
Tuesday, February 25, 2014
My Garden
After a couple days of moderate temperatures and sunshine (which melted almost all of the existing snow), the frigid air has returned to Ohio and it's snowing again.
As a reminder that eventually winter will end, I thought that I would post some pictures of my flower garden.
Azalea and lilac bushes in the spring.
Every year this columbine comes up along the edge of the driveway.
I have loads of Asiatic lilies and day lilies.
Goose neck loosestrife is pretty but very invasive.
Last summer was the first time I tried planting gardenias. They are very temperamental, and in spite of repeated applications of acid fertilizer, the leaves still tended to turn yellow. I did have some very nice blooms, but I did not attempt to bring them in over the winter.
The patio and flower box behind the bedroom.
It will be interesting to see how many of my perennials survived the arctic cold. Hopefully one benefit of the cold will be a reduced population of Japanese beetles this summer!
As a reminder that eventually winter will end, I thought that I would post some pictures of my flower garden.
Azalea and lilac bushes in the spring.
Every year this columbine comes up along the edge of the driveway.
I have loads of Asiatic lilies and day lilies.
Goose neck loosestrife is pretty but very invasive.
Coleus and tuberous begonias.
I have three knockout rosebushes.
The patio and flower box behind the bedroom.
It will be interesting to see how many of my perennials survived the arctic cold. Hopefully one benefit of the cold will be a reduced population of Japanese beetles this summer!
Thursday, February 20, 2014
Teotihuacan - the Place of the Gods
Long ago there was a great city, built by an unknown tribe, home to hundreds of thousands of people. It was a city carefully planned with broad avenues and monumental architecture; its structures rose to the sky. It was a city of art with mural paintings covering its buildings. It was a bustling center of manufacturing and trade; its influence spread far and wide. Then, for reasons unknown, the great metropolis, after flourishing for centuries, was abandoned. Later peoples would look upon its ruins and marvel that it had surely been built by the gods.
This is not a fairy tale or a story of science fiction. It is the story of the first great urban center of the Americas, the city of Teotihuacan. This archaeological site is located about thirty miles to the northeast of Mexico City, and is a "must-see" for any visitor to the Mexican capital. Going to Mexico City without seeing Teotihuacan, would be like going to Cairo and not seeing the Pyramids of Giza. In fact, Teotihuacan rivals the ruins of ancient Egypt.
No one knows who built this great city. We don't even know its true name. Teotihuacan is the name which the later Aztecs gave to the place. In their language it means "the place of the gods", for the Aztecs believed that it was here that the gods were born.
From the archaeological evidence, it would appear that the earliest buildings of this mysterious city date from 200 B.C., and that the city reached its peak around A.D. 450. So Teotihuacan was contemporaneous with ancient Rome. Like ancient Rome, its power and influence extended across a huge territory. We don't know if the city militarily created an empire, or if the influence was more cultural and economic. But we do know that trade goods from Teotihuacan have been found as far away as Honduras, and that the architecture and art of the Mayas and other civilizations, show Teotihuacan characteristics. In fact, it would appear that the rise and fall of the Mayan "classic" culture was linked to that of Teotihuacan.
In its heyday, Teotihuacan may have had a population of as many 250,000 inhabitants. It was a center of religious pilgrimage, but also was a major manufacturing and trade center. Implements of obsidian and distinctive pottery of a burnt orange color were sold all across Mexico and beyond.
Just as with the abandoned Mayan cities, the reason for the fall of Teotihuacan remains a topic of speculation. By A.D. 700 the city was abandoned. There is evidence in the ruins of a great fire, which led archaeologists to think that the city had been invaded. But now many believe that the city's own population may have rebelled against the ruling classes. We know that in the 6th century there were severe droughts which were the result of climate change. Skeletons from burials of that era show that malnutrition was widespread. Perhaps the hungry masses rebelled against the nobility, and the order needed to maintain this complex society disintegrated.
The present day ruins of Teotihuacan are crossed by a broad, two mile long road known as the Avenue of the Dead (Calzada de los Muertos). That name was given by the Aztecs who thought that the earth-covered ruins on either side of the road were burial mounds. In fact the avenue was lined with platforms upon which temples probably once stood.
At one end of the Avenue of the Dead stands a complex of structures known as the Citadel (la Ciudadela). This name, given by the Spanish, is also a misnomer. The Spanish saw the large area enclosed by walls, and thought that it was a fortress. In fact, it was most likely an enclosed plaza (capable of holding up to 100,000 people) where the inhabitants could witness religious ceremonies. In the center of the Citadel is the Pyramid of Quetzalcoatl.
This façade was decorated with alternating carvings of a serpent head surrounded by feathers, and another monstrous-looking creature.
It is possible that these carvings represent earlier forms of two gods worshipped by the later Toltec and Aztecs peoples...
This is not a fairy tale or a story of science fiction. It is the story of the first great urban center of the Americas, the city of Teotihuacan. This archaeological site is located about thirty miles to the northeast of Mexico City, and is a "must-see" for any visitor to the Mexican capital. Going to Mexico City without seeing Teotihuacan, would be like going to Cairo and not seeing the Pyramids of Giza. In fact, Teotihuacan rivals the ruins of ancient Egypt.
No one knows who built this great city. We don't even know its true name. Teotihuacan is the name which the later Aztecs gave to the place. In their language it means "the place of the gods", for the Aztecs believed that it was here that the gods were born.
From the archaeological evidence, it would appear that the earliest buildings of this mysterious city date from 200 B.C., and that the city reached its peak around A.D. 450. So Teotihuacan was contemporaneous with ancient Rome. Like ancient Rome, its power and influence extended across a huge territory. We don't know if the city militarily created an empire, or if the influence was more cultural and economic. But we do know that trade goods from Teotihuacan have been found as far away as Honduras, and that the architecture and art of the Mayas and other civilizations, show Teotihuacan characteristics. In fact, it would appear that the rise and fall of the Mayan "classic" culture was linked to that of Teotihuacan.
In its heyday, Teotihuacan may have had a population of as many 250,000 inhabitants. It was a center of religious pilgrimage, but also was a major manufacturing and trade center. Implements of obsidian and distinctive pottery of a burnt orange color were sold all across Mexico and beyond.
Just as with the abandoned Mayan cities, the reason for the fall of Teotihuacan remains a topic of speculation. By A.D. 700 the city was abandoned. There is evidence in the ruins of a great fire, which led archaeologists to think that the city had been invaded. But now many believe that the city's own population may have rebelled against the ruling classes. We know that in the 6th century there were severe droughts which were the result of climate change. Skeletons from burials of that era show that malnutrition was widespread. Perhaps the hungry masses rebelled against the nobility, and the order needed to maintain this complex society disintegrated.
The present day ruins of Teotihuacan are crossed by a broad, two mile long road known as the Avenue of the Dead (Calzada de los Muertos). That name was given by the Aztecs who thought that the earth-covered ruins on either side of the road were burial mounds. In fact the avenue was lined with platforms upon which temples probably once stood.
At one end of the Avenue of the Dead stands a complex of structures known as the Citadel (la Ciudadela). This name, given by the Spanish, is also a misnomer. The Spanish saw the large area enclosed by walls, and thought that it was a fortress. In fact, it was most likely an enclosed plaza (capable of holding up to 100,000 people) where the inhabitants could witness religious ceremonies. In the center of the Citadel is the Pyramid of Quetzalcoatl.
It was customary in the civilizations of Mexico to build pyramids on top of existing structures. Many Mexican pyramids consist of numerous superimposed layers. This is true with the Pyramid of Quetzalcoatl. Archaeologists discovered that within the pyramid there was an earlier pyramid. What they found was so interesting that they cut a cross section through the pyramid to reveal the façade of what had been covered.
This façade was decorated with alternating carvings of a serpent head surrounded by feathers, and another monstrous-looking creature.
It is possible that these carvings represent earlier forms of two gods worshipped by the later Toltec and Aztecs peoples...
Quetzalcoatl, the Feathered Serpent...
and Tlaloc, the Rain God.
Half way down the Avenue of the Dead is Teotihuacan's most imposing structure, the Pyramid of the Sun. In terms of volume, it is the third largest pyramid in the world (The largest is the Pyramid of Cholula, Mexico, and the second largest is the Pyramid of Cheops in Egypt.) Although burials have been found within some Mexican pyramids, unlike the Egyptian pyramids, their primary purpose was not as tombs. They were platforms on which to build their temples closer to the heavens.
And, of course, each time I visit Teotihuacan, I feel obligated to climb the pyramid!
The Avenue of the Dead continues on to the Pyramid of the Moon.
Although the Pyramid of the Moon is not as tall, it is built on higher ground, and it provides a stunning vista of this magnificent archaeological site.
Subscribe to:
Posts (Atom)
































