My visit to the Cleveland Museum continues with the gallery of Islamic art...
Upon entering the gallery, you see this beautiful prayer niche or "mihrab" from Isfahan, Iran. A "mihrab" is the focal point of a mosque and faces in the direction of Mecca. The Muslim religion prohibits the making of graven images, so the ceramic mosaic decoration is of geometric designs, plants and calligraphy of verses from the Koran.
As you can see here, the prohibition against graven images was not always enforced. This portion of a balustrade from the balcony of an Iranian home shows lions attacking bulls. It dates from between 1256 and 1353. At that time Iran was a part of the Mongol Empire.
This fragment of a 14th century silk wall hanging comes from the Alhambra Palace in Granada, the last stronghold of the Muslim Moors in Spain.
One entire room of the Islamic gallery is devoted to something one would not expect... pages from an illustrated book on the life of Jesus.
Jerome Javier was a Spanish Jesuit priest who spent seventeen years in India at the court of the Mughal Emperor Akbar. He tried in vain to convert the Muslim ruler to Christianity. He wrote in Persian an account of the life of Christ. Akbar's son, Prince Salim commissioned illustrated copies, each one written and painted by hand by the artists of his court.
The Cleveland Museum has the most complete surviving copy of the book, including twenty four of its twenty eight paintings. These 17th century paintings offer an interesting perspective of the life of Jesus as interpreted by Muslim artists.
To the left, the artist shows them finding lodging in an abandoned ruin. Mary cleans the place with a peacock feather duster.
On my next visit to the museum I will continue my journey through the history of art.
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